The Promised Land
He's Gone
Looks Like Rain
Box Of Rain
Wave That Flag
Mexicali Blues
Bird Song
Beat It On Down The Line
Loose Lucy
Me And Bobby McGee
Stella Blue
El Paso
They Love Each Other
Playing In The Band
Set 2
Truckin'
Row Jimmy
Big River
You Ain't Woman Enough
Here Comes Sunshine ->
China Cat Sunflower ->
I Know You Rider
Around And Around
Not Fade Away ->
Goin' Down The Road Feeling Bad ->
Not Fade Away
One More Saturday Night
Encore
Casey Jones
Related Music (Beta) question-dark
| Song Title | Versions | Compilations | Covers |
|---|---|---|---|
| The Promised Land |
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| He's Gone |
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| Looks Like Rain |
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| Box Of Rain |
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| Wave That Flag |
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| Mexicali Blues |
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| Bird Song |
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| Beer Barrel Polka |
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| Beat It On Down The Line |
|
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| Crowd/Equipment Repair |
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| Loose Lucy |
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| Me And Bobby McGee |
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| Stella Blue// |
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| El Paso |
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| They Love Each Other |
|
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| Playing In The Band |
|
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| //Truckin' |
|
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| Row Jimmy |
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| Big River |
|
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| //You Ain't Woman Enough |
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| Here Comes Sunshine >> |
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| China Cat Sunflower >> |
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| I Know You Rider |
|
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| Around And Around |
|
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| Not Fade Away >> |
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| Goin' Down The Road//Feeling Bad >> |
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| Not Fade Away |
|
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| One More Saturday Night |
|
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| Crowd/Tuning |
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| Casey Jones |
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|
Notes
Notes:
Digitally Remastered by jashley@deadacated.com. Completed March 7, 2006.
There are three distinct signatures in the sources used in the original source. Each can be seen clearly in spectral analysis. A 16khz spike can be seen in two of them, one having a lower B/W of approximately 10khz, and the other have a B/W of appoximately 16khz. The third has the same 16khz B/W but without the 16khz spike. The 16khz spike is, likely, due to CRT Horizontal EMI during the recording process. Each of the three signatures display a different sonic quality, the best being signature #1.
Signature #1(16khz B/W No 16khz Spike): Promised Land through Mexicali Blues & El Paso through You Ain't Woman Enough
Signature #2(10khz B/W With 16khz Spike): Bird Song through Stella Blue
Signature #3(16khz B/W With 16khz Spike): Here Comes Sunshine through Casey Jones
All three singatures were cleaned and processed separately due to the different sonic qualities, and the "Bertha Process" was not applied to signature #2 due to a beating noise caused during processing.
All defects from the original remain, including any cuts and drop outs.
Enjoy!
jay
Audio extraction through .flac compression performed by Gary Field 03/21/2006.
From the original text file, prior to Bertha Remastering:
Recording Info:
SBD -> Master Reel -> PCM -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v7.02 -> FLAC
Original Transfers and Mastering By Charlie Miller
(*)Patch Info:
The following songs are patched from SBD->?->Cassette->CD
Bird Song, BIODTL, Loose Lucy, Me And Bobby McGee & Stella Blue
Some pops and level problems fixed with Cool Edit Pro v2.0
Reviews
Subject: Set I
The Playin In The Band is a'73 specialty. First set ender with the jazzy sick second set feel.
Subject: I met her accidentally..
it is Not fair to compare this with 2/15/73
(neither tune selection,nor audio)
But if we put it up against anything from say
1984 --onward
when i was going to shows---
I bet I could still get your life's savings for a
GD-Time Machine trip back to 2/17/73.
p.s.-Strong Phil/ Donna-BOX!
Subject: WOW!!!
Subject: 2-17-73
Subject: Here Is A Fined Gets Loose Wit Da Lucy
This is an admirable effort put on by the band, who were hot to trot, but initially stultified by mysterious and sundrious PA anomalies.
I had seen them 10 days earlier at Maples; nestled in the front row center balcony. There were numerous sound problems at that show, as there were May 26 when witnessed Kezar, 39 steps from stage dead center.
It took the Grateful Dead and the Kwipment Krew a while to get used to this new monster system, obviously, but doubly obvious was how supreme the band sounded once every thing was dialed in. Every note from Loose Lucy on is sheer and dramatic perfection of both performance and reproduction.
Listen to the Stella Blue. Stellar-electro-dead.
The sound whispers and breaths pure multi-tiered harmonic. And then it just falls off and out into.
El Paso. Gunplay! Bertha Sound Recapture is jewel-studded, pearlescent! This sound and definition of the WOS is reminiscent in every venue of the way the music sounded whether you were right up front or sitting behind a post. The WOS sound would follow you around a corner; it even sounded good in the bathrooms! This is a resplendent and accurate representation of just how good that evil Wall of Sound sounded... And at break they played the Association: Cherish.
They Love Each Other the one you love to haight. and into
Playin. Much fined gold. Tasmanian Devil burrowing in an out of palm tree trunks...with: a smile....
The Reprise is the crispestly-torched grind knuckles into cheese grater.
Cuts into Truckin' abruptly. Second Set. Goes on and on and then ends...abruptly...into Jimmy Row and despite the snap end of tape it dovetails sveltely into Big River. Johnny Cash as Johnny wishes he sounded. LOL!
Jerry defies logic and lets his strat move exponentially upward filling every whitless demand! And then, an equipment malfunction into..
Donna Jean singing You Ain't Woman Enough and she pulls it off with gusto and aplomb.
Ahhhh, Here It Comes! The profound Grateful Dead:
HC Sunshine>China Cat>Rider. Jerry goes metallic in GDTRFB and after that it's all cutting heads, all the way around.
From loose to Lucy to Truckin' an' through to Casey Jones this is picture perfect Grateful Dead displayed in the full richness of their glory.
An amazing, flaggergastingly spectacular capture of the new monster and all of it's twisting heads.